The Kurdish Iranian writer is an asylum seeker who has been kept in purgatory on Manus Island in Papua New Guinea for almost six years, first behind the wire of the Australian offshore detention centre, and then in alternative accommodation on the island, the Guradian reported.

Now his book No Friend But the Mountains – composed one text message at a time from within the detention centre – has been recognized by a government from the same country that denied him access and locked him up.

It is, he said, “a paradoxical feeling”.

“I really don’t know what to say,” he told Guardian Australia in a conversation before the main award was announced, when he only knew of the non-fiction prize. “I certainly did not write this book just to win an award.

“My main aim has always been for the people in Australia and around the world to understand deeply how this system has tortured innocent people on Manus and Nauru in a systematic way for almost six years. I hope this award will bring more attention to our situation, and create change, and end this barbaric policy.”

Boochani speaks via text messages, because his internet connection keeps cutting out – the same method he used to write the book, an autobiographical account of his attempt to make the journey from Indonesia to Australia and his subsequent incarceration.

Under Australia’s hardline immigration policy, asylum seekers who try to reach the country by boat are processed at offshore centres.

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For an asylum seeker kept in offshore detention to win such a major prize “brings enormous shame to the Australian government”, he said.

Accepting the award on Boochani’s behalf was his translator, Omid Tofighian, who worked with interpreter Moones Mansoubi to translate Boochani’s Farsi text to English.

“You can’t underestimate the impact that [this win] will have on Australian politics and Australian refugee politics – not only in Australia [but for] displaced and exiled people all over the world,” Tofighian said.

“This is one of the most vicious forms of neocolonial oppression that is taking over the world at the moment – and to address this book in this way and to recognise it and draw attention to the narrative it is presenting will have repercussions for many generations to come.”

The awards are split into seven categories, which are judged by a panel. In 2017 and 2018, women won each category, and they dominated the winners’ list again this year, with Elise Valmorbida winning the fiction prize with The Madonna of the Mountains; Kendall Feaver winning the drama prize for her play The Almighty Sometimes; Kate Lilley winning the poetry prize for Tilt; Victoria Hannan winning the $15,000 unpublished manuscript prize for Kokomo; and Bri Lee winning the people’s choice award for her memoir Eggshell Skull.

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